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Search Results for: annie sandano
This new blog format of “handing the microphone around” is reallllllyy working for me, and this post is the perfect example way.
I’ve followed Annie Smits Sandano since the very beginnings of of Studio Home but this is the first time that I’ve had the chance to share her own words and thoughts with you. And while we can thank Dunedin based, Gallery De Novo for taking the time to do some digging with Annie, it got me thinking even further on perhaps what Liz Fraser might have to share as well! The result is a nice juicy peep into the world of a roving NZ artist and a galleryist with some great things to share about following your creative dreams and the hotspots of Dunedin. There’s a little everything here!
The thing that fascinates me most about Annie is the way her work has varied over the years but with each new turn, she nails it to the extreme. If you were to lay out the best of the best from her natives and printing years, to her round, colour rich abstract paintings to her newly issued ethereal watercolour, ink and gouche pieces….well I don’t think you would pick they were from ONE prolific artist. But I do think you would fall in love with each series individually.
Read on for some insights into two professionals of our local art world.
Tell us a little bit about yourself and your background as an artist:
My visual interests and pursuits are quite broad, but I think if I distill my direction down to it’s bare elements, I am most fascinated by the basic interaction between line and colour.
Currently I’m exploring this through two main mediums: painting and printmaking. Having studied printmaking at Elam at the University of Auckland I’m very much interested in participating in, and continuing the tradition of printmaking in New Zealand, especially one as rich as the one we’re lucky to have. I love everything about it – the process, the tactility of the materials, understanding pigment behaviour and learning how to mix colours, the interaction between ink and paper and the endless possibilities for exploring.
My painting has become a more prominent part of my practice in recent years. I’ve drawn from process that is part of my printmaking and let that influence my painting. The treatment of materials, subtle surface textures, flat colour, sharp lines, stencils and vibrant colours have all spilled into my painting. I’ve worked hard to hone my palette and develop a rich and dynamic visual language.
How has living in New Zealand influenced your art:
Life and culture in New Zealand is the core part of how I relate to the wold and experiences. It is therefore the core part of most of what I try to observe and then reflect within my work. New Zealand icons, references, sensations, flora, fauna and language are all constantly being pulled into my distilling process – I take these, dissect, re-formulate, hybridise with my own mixed cultural background and referencing, turn upside down, and move around in my head till there is an idea that I want to translate into an image using my own personal visual vocabulary.
Who or what inspires you in your artwork:
I’m endlessly excited about colour, form and material. I am extremely eclectic in what I find conceptually and aesthetically interesting.
Low and High Art, people, travel, music, science, nature, history, design,
I’m curious about it all and I am always very happy to find
something new and exciting.
I also think that an artist’s attitude to what they’re working on and how they make the viewer feel can be very inspiring.
At the moment I’m finding exciting the work of Anny Wang, Kushana Bush, Beatriz Milhazes, Joakim Ojanen and Joshua Yeldham.
Tell us about where your artwork has taken you in the last year and how this has shaped your art:
After much planning and organising, I spent the year travelling and letting the world rush in and influence me. I set out to do three main things: connect new people within my field, learn new techniques and see as much art as I could.
I spent a month at the Australian Print Workshop in Melbourne, where I was able to develop a series of new techniques. I also was able to visit some of my favourite contemporary Australian Art galleries and meet some amazingly talented and lovely artists from Melbourne.
I then spent over 5 months in Italy between Florence and Rome. This time was characterised by watercolour and oil painting. During an intensive summer residency there I was able to explore the medium of oil painting for the first time, and I followed that with a couple of months creating a suite of new works on paper – watercolour and gouache with ink works. I also explored countless galleries, museums and churches, and was forced to eat the most delicious pasta, pizza and gelato to keep me going.
I’ve also spent a month in the outskirts of Barcelona in Spain where I was in a full time residency creating new works and learning new printmaking techniques. Again, visiting as many galleries, museums and churches as I could here too. I was also very lucky to make amazing and talented friends from Spain, Norway, the USA and Australia.
My time abroad has been completely invaluable, I’ve learned so much in such a short space of time and my experiences will without question inform what work I produce next. I have an arsenal of new techniques, and a brain exploding with the new things I’ve seen…I can re-calibrate my practice once again, infusing it with all of these exciting new things.
What is it like living and painting/printing in Europe? Day to day life:
Let me re-phrase that.
It’s been surreal.
I’ve worked really hard, which is the pace expected at the places I’ve worked in, and one which I find works for me. During week days I pretty much work full time (and often longer than the usual 9-5) and then weekends are for gallery hopping and museum visiting. There are loads of exhibitions which open in the evenings during the week, so it was fun to go to those too. The food has also been a highlight. Did I mention I was forced to eat the most delicious pasta, pizza and gelato to keep me going?
Being able to drink in Rome, Florence or Barcelona while going about your day-to-day and work is pretty incredible too.
What are your plans for this year:
I’ve started the year with a residency in Spain, followed by 2 months in London where I’m making work at London Print Studio. I have two solo exhibitions in New Zealand which I’ll be creating new works for, and an exciting textile design collaboration in the works (still under wraps but am very excited about this one!).
That’s just the tip of the ice-berg. There is always a long list of on-going prints which need to me made and sent to galleries, group exhibitions and commissions which make up the continuous flow which I love.
Then – to complete this interesting circle of artsy minds, I also threw a couple of questions at Liz Fraser of Gallery De Novo.
Top spots to eat/drink in Dunedin?
Oh we are spoilt for choice in our neighbourhood for places to coffee and ea!
The Perc and Morning Magpie are two favourite places to grab coffee on the way into the gallery and even better when we have time to sit in and enjoy the surroundings of these bustling Dunedin cafes.
For very special nights out we can’t look past Bacchus Winebar with impeccable food and wine and amazing views overlooking the Octagon.
People don’t know this Dunedin but……
Well, people who live in Dunedin do know this – it is a vibrant, creative, thriving little city.
Dunedin has all the benefits of a big city but feels more like a large community.
Everyday, visitors to the gallery tell us how much they have loved their stay in Dunedin and particularly the artistic vibe …. if you haven’t yet made it to Dunedin then put it on your itinerary!!
What led you choose your profession?
I always LOVED the visual arts and this was fueled by the most passionate Art History teacher in High School and I knew by the time I left school that I wanted to work in the gallery world. I studied Art History at Otago University and worked in dealer and public art galleries in Dunedin and then London.
Richelle Byers (my business partner) and I had very similar journeys and whenever our paths crossed we always said we would one day open a gallery in Dunedin. 12 years later and the rest is history!
Best advice you have been given?
I’ll actually tell you the worst advice I was given by numerous people when I decided to pursue an Arts degree …. “don’t do a Bachelor of Arts” “why are you wasting your time with Art History” “what will you do with an Art History degree”….
WELL – luckily I didn’t take this on board and in fact it made me more determined to follow my dream and it was the best decision I made. Sadly the arts are not promoted as much as other sectors but if this is what you really want to do then follow your heart.
You can learn more about:
I have followed Annie Smits Sandano for 7 years now…in fact I posted about her way back in my first few months of blogging in 2008! Its with complete fascination that I have then been able to sit back and watch her beautiful work develop in subject matter and style. Her new base of Queenstown is certainly stirring up something fresh as seen in this new collection of work for her show “Romantic Ideals | New Zealand Landscape” opening at Auckland’s Seed Gallery on the 10th of December.
I will definitely be heading for a look myself!
Interested in learning more about this work? Scroll to the bottom for a full run down.
“In the most recent evolution within her practice, and with a sophisticated eye for shape and line, Annie assembles geometric and organic shapes in eruptions of colour. Elements overlap, interact, jostle for space and achieve harmony and unexpected co-existence within her dynamic compositions. Subtle and effective variations of paint texture also add a textural dimension to these vibrant and energy-filled pieces.
A selection of these works have been painted onto compressed plywood, a material used widely throughout New Zealand, in DOC huts, batches, cribs and homes. Parochial titles like Shark ‘n’ Taties and Larrikin situate these compositions within the New Zealand landscape; “Landscape” in this instance having a broader meaning which encompasses the cultural, linguistic and physical. In this way, a sense of place and local identity are assigned to each piece.
We are very excited to show Sandano’s most recent collection of paintings, with a preview on December 9th from 5:30pm. With works already featuring in important collections – The James Wallace Arts Trust, Hilton Group Collection, Auckland Hospital Art collection and Deloitte Art Collection among others, Sandano’s pieces are in ever-increasing demand.”
I almost feel like I am cheating by getting a peek at the creative process of an artist, but at the same time it makes me understand and appreciate the end result SO much more! Enjoy the beginning to finish below of Annie Smits Sandano‘s recent work and if you like what you see you might want to drop by her exhibition kicking off at Seed Gallery in Auckland on 13th March.
Thought that you would appreciate these great pieces of art by Coromandel based artist Annie Smits Sandano. Annie is a Brazilian Kiwi, having lived between both countries for the last 10 years. Take a look through her work…I was kind of blown away by not only many many talents…painting, drawing, print making etc but also the change in her style between all of them!
Love the kiwi range…the fantails are gorgeous. Her site has all the details of how to get hold of an Annie Smits Sandano special.